Does She Said have post credit scene? In ‘She Said,’ Zoe Kazan and Carey Mulligan play the writers who helped bring Harvey Weinstein’s horrible behavior to light.
One of the most interesting things about She Said is how Maria Schrader tells this story in a way that doesn’t sensationalize or make fun of the women whose stories Twohey and Cantor use as inspiration for their piece.
The story moves slowly on purpose, and Rebecca Lenkiewicz’s conversations and dialogue are clear and to the point, and any funny parts feel natural. Some people might be disappointed by how dry She Said is, but it’s hard to say that the story should have been told in a more artistic way.
In the first act, the editing is sometimes strange and even jarring because it moves at a much faster pace. The content is important to the movie, but it doesn’t fit with the rest of the movie.
The movie’s main character isn’t either of the two reporters, but the investigation itself. Adding anything to the movie to make it more dramatic would have felt fake and gone against the movie’s point.
Does She Said have post credit scene?
You know the rules: every Drama movie has to have at least one extra scene for people who stay until the end of the credits.
But when it comes to She Said movie there is chances of having post credit scene because of super fantastic scenes and confusions so yes, there is chances of having post credit scene.
She Said has almost everything you’d expect from a true-life journalism movie. Even though the main focus is on a heavy subject and many people may already know how it ends, that doesn’t stop the movie from being interesting as the New York Times journalists race to get the story published.
When the movie was first announced, people were worried that it would be a self-congratulatory piece from Hollywood, but luckily, it isn’t. It has a simple plot and gets its point across clearly, which was the best way for the movie to go.
She Said doesn’t change the way movies about journalism are usually made, but it didn’t have to. Maria Schrader’s direction and Rebecca Lenkiewicz’s writing hit all the right notes, giving us a powerful movie that doesn’t try to be anything it’s not.